No, her earliest years post-college were spent paying her dues: She worked as a runner at the Emmys (a job she admits she wasn’t the greatest at, given her self-appointed status as “the slowest driver in Los Angeles”), read scripts at TriBeCa, and worked as a temp at Chanel in the publicity department while pursuing writing on the side. Eventually, she and her early writing partner, Alexandra Rushfield (now known for her work on shows like Shrill, Parks and Recreation, and Love) made their way into the writing room at Undeclared, where they absorbed as much as they could from the show’s creator, Judd Apatow.
“The thing I learned the most was the teaching people while you’re working with them,” Konner says. “A big thing I learned from him is to try to mentor people while they’re working for you, and explain to them why they’re doing this and show them what editing looks like, and bring them into casting if it’s their episode.”
She also says that her experience of being one of the only women in a writing room back in those early days underlined the importance of making diversity a priority for her when she was in charge later on in her career as a producer on shows like Girls and Camping.
